A couple of weeks ago I set my senior Geelong students the task of making a renka arrangement using summer materials. As I have mentioned previously, the idea of renka was developed by the third Sogetsu Iemoto, Hiroshi Teshigahara. It is modelled on the Japanese classical linked-poetry form called renga, in which brief stanzas were improvised in response to the previous stanza.
I added layers of difficulty for the students by asking them to bring two vessels and material of their choosing, which included some yellow material. The materials and vessels were separated so that the student had to work with materials brought by one colleague and one of the two vessels brought by another student. Each student worked in turn having only 15 minutes to complete their ikebana.
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February in the garden sees the Belladonna lily, Amaryllis belladonna, push up from the earth. We have three patches of them in different places, which means they flower progressively and provide us with a longer flowering period.
...as you can see in this close up.
I have set two long stems of the Belladonna lily at an angle, in a cobalt-blue, circular suiban. Being arranged at the back of the suiban and leaning to the left front leaves the surface of the water clear making the ikebana feel light and fresh. The colour of the Sedum harmonises well with the principal material. This is the first time that I have considered the Sedum to be sufficiently established for me to cut some for my ikebana. I am pleased with the way these two materials work together in the blue suiban.
Greetings from Christopher
26th February 2022
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